| Designer
concept Interview to Laura |
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| Laura Pellati was born in Genova, Italy, 34 years ago. She graduated in Law at Genova University in 1989. After finishing high school she worked for 8 months at Valentino boutique , fifth ave, N.Y. During the university she spent 6 months at Laura Biagiotti house/office in Guidonia near Rome. In these two occasions she started to understand the fashion concepte. Meanwhile she was involved in one of the family companies located in Genova which manifactured at the time the accessories line (bags, belts, hats, gloves, scarves, shirts and skirts) under her name "Laura Pellati). From the beginning Laura job has been to take care of styling and raw materials researching. After the graduation she made many tours around the world to enlarge her knowledge and education. On 1991 she started to work in another family company in Florence taking care as usual of stiling and researching. This company was and still is part of a group that is manufacturing hand bags line for Chanel, and later for Christian Dior, Valentino and Roberta di Camerino. She was the link between the style office of these brand names and the company. In 1994 she was encharged of the project for the new hand bags line for Dolce e Gabbana,this project went on for 2 years and got a very important success in the international market. On 1997 she was encharged to renew the leather goods line for Pollini shoe maker company and to realize the new line of accessories for "caractère" ready-to-wear line lauched by Miroglio on 1998. She never gave up to take care of her line "Laura Pellati" of hand bags, belts, gloves, and any accessory , which has been sold around the world, even in Corean market when in 1996 she got a very strong success with Esquire coll. Company / Seoul. On 1999 she established in Genova her company Lineaitalia srl which is taking care of her trade mark. On 1997 she was quoted from italian magazine "Fashion" one of the up-and-coming young designer in Italy. From 1998 she is member of the "area pelle" styling commitee for researching of new raw materials and new fashion trends (from "street fashions" to style and design). On Jan. 2000 she was invited by colombian culture ministry to open in Bogota the national fashion week showing her accessories collection. | ![]() |
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As she follows up her feelings and elaborates spurs coming from a moving world, th estylist draws her bag collection giving a strong value, a free style but always up to contemporary taste. Laura Pellati can be called as a pure and simple creative, able to catch with an extraordinary sensitiveness the thousand aspect and shades of a daily routine. Laura Pellati always pays very great attention to the different characters of womwn going around the streets of the world : a classy and refined woman,a student living her time following rhythms and vitality of the street.....everythineg is carefuly observed and studied by the stylist. The world is a bottomless pit of information that Laura Pellati not only gathers with that particular insight that all recognize; what makes specialher job is the skill of breaking down and interpret in a new way shapes, colours, volumes and proportions, so to propose something innovative,but, anyway, already known. The bag by Laura Pellati is an element with a strong symbolic value: it is a container of dreams and hopes, plans and important actions. A unique element, the bag, as unique are the different moment of human like. For this reason the stylist considers the bag as an article that has a precise identity and story.
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| An anthusiasm for fashion and accessories , burning curiosity and a strong ,enterprising spirit are what it takes to be successful in the fashion world.We interviewed Laura Pellati on behalf of our readers. This is her story. " I live and work at Florence but in actual fact I could be anywhere. The inspiration for my bag designs comes from what I see and feel in the streets: fromthe punk girl to the well-to-do woman , every female has a different way of projecting herself trhought the clothes and objects that she wears. Intimacy and social context create fashion ,and this is where my collection stars, trought the observation of the different trends that are fused together by my own personalemotions. Every collection enhancesmy personaldevelopment,enabling me to acquire an increased sensitivity towards everything that surrounds me. Everything becomes fashion for an observing eye if it knows how to observe. Whilst a garment changes according to the wearer , a bag remains an independent object. I regard the bag as a container of ideas when I go in the search of new materials,and as a container of projects when I use it in holiday. The bag is synonymous with frredom,travel and departures for new places. My journeys have inspired the shape of my favourite bag - the Pagoda shape - which is dedicated to Oriental culture and to a market that has been faithful to my work for years. When I visited the Far East I was struck by the concept of " rebuilding" . Japanese temples are constructed in wood because they are continuously destroyed by natural calamities, and they are always rebuilt on the ashes of their precursors. I was fascinated by the continuous of new buildings on top of the old ones. In the same way , every six months I designed newbags using my past experience as their base,and this process constitutes my success" | |||
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